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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell with Marc Almond at Leeds in 1977

Dave Ball, one half of the groundbreaking 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their debut album their initial full-length release is considered a classic of synth-pop.

He later founded the innovative electronic act The Grid, who secured popular acclaim with 1994's Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

At that show, Ball performed in a mobility chair, as he had for the last two years, following a period of ill-health.

"I ended up injure myself significantly," he commented in 2023. "I fractured lower vertebrae in my back and cracked about five ribs and broke my arm."

Following contracting pneumonia and developing sepsis, he was placed in an medically-induced sleep and stayed in hospital for seven months.

Nevertheless, he had been in "high spirits mentally" over the summer, as he worked on a fresh record with Almond, titled Danceteria, which is scheduled for release in the coming year.

"He was focused and very pleased with the latest project that we literally completed only a short time ago," stated the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive time for him, and I find comfort from the fact that he listened to the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant aspect of my life and for the music you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is distinct from joining a band, the connection is very tight," he added.
"That was the case with us. We experienced so many remarkable, extraordinary, memorable experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Born into a one-parent family in Chester in 1959, Ball was put up for adoption when he was a year and a half old.

He grew up in Blackpool with his new family Donald and Brenda Ball, who altered his first name from Paul to his adopted name, together with his younger sister Susan, who was also adopted.

He met Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they formed Soft Cell the very year, and promptly recorded an extended play.

Musical Partnership

The duo were an distinctive pairing: Ball was the quiet musician, bent over his keyboard, while Almond was a charismatic performer, all sparkle and makeup; but they achieved a rare creative synergy.

Ball had cultivated a interest with electronic instruments after viewing the band Kraftwerk appear on a television science show Tomorrow's World, and started to marry dark electronica to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular song of the early 80s, selling millions of copies worldwide. Alongside hits by other artists, Human League and Ultravox, it contributed to cleared the way for the electronic music style of the 1980s.

The song was also included on their first album, Non-Stop Erotic Cabaret, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The pair were developing fresh songs right up until Ball's passing

Professional Journey

Fame had its upsides. "I loved being able to afford my initial property, having financial security and travelling, which makes me sound like a beauty queen," Ball not long ago told with a publication.

But it also caused challenges. "Sudden riches allowed we could afford newfound drugs to alleviate the monotony" of press appearances and TV performances, Ball said.

"I realize that's a common saying, but it's a cliché for a valid cause, because it works for so many bands."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to create a follow-up memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out another album, 1984's This Last Night In Sodom, before dissolving the band to focus on other projects.

Almond went on to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, producing the Top 40 record Cruelty Without Beauty.

Following a further hiatus, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on 30 September, that year.

However, they remained active, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently characterized the duo's new album as a homage to the New York club scene they visited while recording their initial records.

He noted that his period in medical care had shaped the group's music.

"I experienced unusual memories when I was coming and going of the hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a digital reflection of the noises in my mind from that time.
"In parallel, it's about the times me and Marc had in the 80s."

The final mixes were finished only a short time before Ball died. It is due for launch in the spring of 2026.

The writer

Jenny Meyer

Elara Vance is a writer and digital nomad passionate about exploring the intersection of technology and culture.

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