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Film Analysis: Band Frontman Jason Williamson Assumes Character in Critical Examination at 90s Rave Culture

Produced by Bristol sound co-founder Geoff Barrow, this scabrous though undernourished debut feature casts a critical gaze on 90s rave culture. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to break into his own parents. In no time, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher arrives, fuming after David strangles his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Poacher denying his container of cider, determined to dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Sensibility

Just a single important plot development, but it leads to a comically executed rampage on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

Game is in UK and Irish cinemas from November 17.

The writer

Jenny Meyer

Elara Vance is a writer and digital nomad passionate about exploring the intersection of technology and culture.

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